Research Catalog

Title

Selected essays / edited by Richard Taylor ; translated by Richard Taylor and Evgeni Filippov.

Author

Pudovkin, Vsevolod Illarionovich, 1893-1953

Publication

London ; New York : Seagull Books, 2006.

Items in the Library & Off-site

Details

Additional Authors

• Taylor, Richard, 1946-
• Filippov, Evgeni

Description

xxiii, 324 p. : ill.; 25 cm.

Uniform Title

Essays. Selections. English

Alternative Title

• Essays.
• Vsevolod Pudovkin : selected essays

Subject

• Pudovkin, Vsevolod Illarionovich, 1893-1953
• Motion pictures > Production and direction > Soviet Union

Genre/Form

Criticism, interpretation, etc.

Bibliography (note)

• Includes bibliographical references and index.

Language (note)

• Translated from the Russian.

Processing Action (note)

• committed to retain

Contents

• Richard Taylor: Introduction: Pudovkin Revisited -- Our Working Methods in 'The Death Ray' [1924] -- Photogeny [1925] -- Montage [1925] -- The Montage of a Scientific Film [1925] -- 'The Mechanics of the Human Brain' [1926] -- On 'The Battleship Potemkin' [1926] -- The Mother. A Conversation with the Director, Pudovkin [1926] -- The Mother. A Conversation with the Director, Vsevolod Pudovkin [1926] -- The New Film. From a Conversation with the Director, Pudovkin [1926] -- The Film Script (The Theory of the Script) [1926] -- The Film Director and Film Material [1926] -- 'Petersburg -- Petrograd -- Leningrad.' A Conversation with Vsevolod Pudovkin [1927] -- 'The End of St Petersburg.' A Conversation [1927]
• How We Made 'The End of St Petersburg' [1927/8] -- S. M. Eisenstein (From 'Potemkin' to October) [1928] -- Statement on Sound [1928] -- 'The Descendant of Genghis-Khan.' A Conversation with the Director, Vsevolod Pudovkin [1928] -- 'The Descendant of Genghis-Khan.' From a Conversation with the Director, Vsevolod Pudovkin [1928] -- How I Work with Tolstoy [1928] -- On Montage Rhythm [1928/9] -- The 'Naturshchik' instead of the Actor [1929] -- On the Principle of Sound in Film [1929] -- Conversation on Sound Film [1929] -- Our Picture [1929] -- On the Language of the Script. A Conversation [1929] -- Time in Close-Up [1931] -- Sound and Image [1932] -- The Role of Sound Cinema [1933] -- Asynchronism as a Principle of Sound Film [1934] -- The Problem of Rhythm in My First Sound Film [1934] -- The Actor in Film [1933/4]

ISBN

• 1905422237
• 1905422245 (pbk.)

LCCN

^^2006285678

OCLC

• 70889778
• SCSB-11841694

Owning Institutions

Harvard Library