Research Catalog
Inventing the novel : Bakhtin and Petronius face to face
- Title
- Inventing the novel : Bakhtin and Petronius face to face / R. Bracht Branham.
- Author
- Branham, Robert Bracht
- Publication
- Oxford : Oxford University Press, 2019.
- ©2019
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| Status | Format | Access | Call Number | Item Location |
|---|---|---|---|---|
Available - Can be used on site. Please visit New York Public Library - Schwarzman Building to submit a request in person. | Book/Text | Use in library | JFD 20-2077 | Schwarzman Building - Main Reading Room 315 |
Details
- Series Statement
- Classics in theory
- Uniform Title
- Classics in theory.
- Subject
- Bibliography (note)
- Includes bibliographical references (pages 187-206) and index.
- Call Number
- JFD 20-2077
- ISBN
- 0198841264
- 9780198841265
- OCLC
- 1089963680
- Author
- Branham, Robert Bracht, author.
- Title
- Inventing the novel : Bakhtin and Petronius face to face / R. Bracht Branham.
- Publisher
- Oxford : Oxford University Press, 2019.
- Copyright Date
- ©2019
- Edition
- First edition.
- Description
- xvi, 225 pages ; 22 cm.
- Type of Content
- text
- Type of Medium
- unmediated
- Type of Carrier
- volume
- Series
- Classics in theoryClassics in theory.
- Bibliography
- Includes bibliographical references (pages 187-206) and index.
- Summary
- Inventing the Novel uses the work of the Russian philosopher Mikhail Bakhtin (1895-1975) to explore the ancient origins of the modern novel. The analysis focuses on one of the most elusive works of classical antiquity, the Satyrica, written by Nero's courtier, Petronius Arbiter (whose singular suicide, described by Tacitus, is as famous as his novel). Petronius was the most lauded ancient novelist of the twentieth century and the Satyrica served as the original model for F. Scott Fitzgerald's The Great Gatsby (1925), as well as providing the epigraph for T. S. Eliot's The Waste Land (1922), and the basis for Fellini Satyricon (1969). Bakhtin's work on the novel was deeply informed by his philosophical views: if, as a phenomenologist, he is a philosopher of consciousness, as a student of the novel, he is a philosopher of the history of consciousness, and it is the role of the novel in this history that held his attention. This volume seeks to lay out an argument in four parts that supports Bakhtin's sweeping assertion that the Satyrica plays an "immense" role in the history of the novel, beginning in Chapter 1 with his equally striking claim that the novel originates as a new way of representing time and proceeding to the question of polyphony in Petronius and the ancient novel.
- Research Call Number
- JFD 20-2077