Research Catalog
The participator in contemporary art : art and social relationships
- Title
- The participator in contemporary art : art and social relationships / Kaija Kaitavuori.
- Author
- Kaitavuori, Kaija
- Publication
- London ; New York : I.B. Tauris, 2018.
- ©2018
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| Status | Format | Access | Call Number | Item Location |
|---|---|---|---|---|
Available - Can be used on site. Please visit New York Public Library - Schwarzman Building to submit a request in person. | Book/text | Use in library | JQD 19-102 | Schwarzman Building - Art & Architecture Room 300 |
Details
- Series Statement
- International library of modern and contemporary art
- Uniform Title
- International library of modern and contemporary art.
- Subject
- Bibliography (note)
- Includes bibliographical references (pages 223-236) and index
- Contents
- Introduction -- 1. The participator: a new role in art -- 2. Typology of participatory art -- 3. Artwork as a network -- 4. Contracts of participation -- 5. The public sphere and politics of participation.
- Call Number
- JQD 19-102
- ISBN
- 9781784538750
- 1784538752
- OCLC
- 977473397
- Author
- Kaitavuori, Kaija, author. Author
- Title
- The participator in contemporary art : art and social relationships / Kaija Kaitavuori.
- Publisher
- London ; New York : I.B. Tauris, 2018.
- Copyright Date
- ©2018
- Description
- ix, 241 pages : illustrations ; 23 cm.
- Type of Content
- textstill image
- Type of Medium
- unmediated
- Type of Carrier
- volume
- Series
- International library of modern and contemporary artInternational library of modern and contemporary art.
- Bibliography
- Includes bibliographical references (pages 223-236) and index,
- Summary
- The early twenty-first century has seen contemporary art make continued use of audience participation, in which the spectator becomes part of the artwork itself. In this book, Kaija Kaitavuori claims that the p̀articipator' is a new artistic role that does not fall under the auspices of artist or spectator and in proving such she devises a four-group typology of involvement. Her classification distinguishes between different forms of engagement and identifies their specific features. The key criteria she proposes are how concepts of authorship and ownership shift in relation to collectively created work, how contracts regulating the use and production of shared work are arranged and the extent to which involvement in making art can be regarded as democratic.-- Publisher's description.
- Research Call Number
- JQD 19-102