Research Catalog

The Making and Remaking of China's "Red Classics" Politics, Aesthetics, and Mass Culture

Title
The Making and Remaking of China's "Red Classics" [electronic resource] : Politics, Aesthetics, and Mass Culture / edited by Rosemary Roberts and Li Li.
Publication
  • Baltimore, Maryland : Project Muse, 2018
  • Hong Kong [China] : Hong Kong University Press, [2017]

Available Online

  • Available from home with a valid library card
  • Available onsite at NYPL

Details

Additional Authors
  • Li, Li, 1957 July 21-
  • Roberts, Rosemary A.
  • Project Muse
Uniform Title
  • Book collections on Project MUSE.
  • Making and Remaking of China's "Red Classics" (Online)
Subject
  • Communism and art > China
  • Communism in literature
  • Arts, Chinese > 20th century
  • Communism and culture > China
Note
  • Issued as part of book collections on Project MUSE.
Bibliography (note)
  • Includes bibliographical references and index.
Access (note)
  • Access restricted to authorized users.
Source of Description (note)
  • Description based on print version record.
Contents
part I. Creating the canon : the "red classics" in the Maoist era -- 1. The red classic that never was : Wang Lin's Hinterland / Lianfen Yang (translated by Ping Qiu and Richard King) -- 2. Great changes in critical reception : "red classic" authenticity and the "eight black theories" / Richard King -- 3. How to tell a story of imprisonment : ideology, truth, and melodramatic body in the making of Red Crag / Li Li -- 4. How Is revolution "popularized"? Rereading Tracks in the Snowy Forest / Yang Li (translated by Krista Van Fleit Hang) -- 5. Shaping the "red classics" of Chinese art in early socialist China : manipulating tradition to establish New Guohua / Kuiyi Shen -- 6. Castration for the people : the politics of revision and the structure of violence in Hao Ran's short stories / Xiaofei Tian -- part II. Making over the canon : the "red classics" in the reform era -- 7. The politics and aesthetics of rediscovering heroes of the "red classics" in Lianhuanhua of the reform era / Rosemary Roberts -- 8. The cultural indigenization of a Soviet "red classic" hero : Pavel Korchagin's Journey through Time and Space / Frederik H. Green -- 9. The red sister-in-law remakes : redefining the "fish-and-water" relationship for the era of reform and opening / Qian Gong -- 10. Families, intellectuals, and enemies in the "red classic" remake New Tunnel Warfare / Lara Vanderstaay.
OCLC
ssj0002002284
Title
The Making and Remaking of China's "Red Classics" [electronic resource] : Politics, Aesthetics, and Mass Culture / edited by Rosemary Roberts and Li Li.
Imprint
Baltimore, Maryland : Project Muse, 2018 (Baltimore, Md. : Project MUSE, 2015)
Hong Kong [China] : Hong Kong University Press, [2017] (Baltimore, Md. : Project MUSE, 2015)
Description
1 online resource (1 PDF (xix, 199 pages) :) : illustrations.
Series
Book collections on Project MUSE.
Bibliography
Includes bibliographical references and index.
Access
Access restricted to authorized users.
Summary
The Making and Remaking of China's "Red Classics" is the first full-length work to bring together research on the "red classics" across the entire Maoist period through to the reform era. It covers a representative range of genres including novels, short stories, films, TV series, picture books, animation, and traditional-style paintings. Collectively the chapters offer a panoramic view of the production and reception of the original "red classics" and the adaptations and remakes of such works after the Cultural Revolution. The contributors present fascinating stories of how a work came to be regarded as or failed to become a "red classic." There has never been a single answer to the question of what counts as a "red classic"; artists had to negotiate the changing political circumstances and adopt the "correct" artistic technique to bring out the "authentic" image of the people while appealing to the taste of the mass audience at the same time. A critical examination of these works reveals their sociopolitical and ideological import, aesthetic significance, and function as mass cultural phenomena at particular historical moments. This volume marks a step forward in the growing field of the study of Maoist cultural products.
Connect to:
Available from home with a valid library card
Available onsite at NYPL
Added Author
Li, Li, 1957 July 21-
Roberts, Rosemary A.
Project Muse.
Other Form:
Print version: 9789888390892
View in Legacy Catalog