Research Catalog

The alchemist in literature : from Dante to the present

Title
The alchemist in literature : from Dante to the present / Theodore Ziolkowski.
Author
Ziolkowski, Theodore
Publication
  • Oxford : Oxford University Press, 2015.
  • ©2015

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StatusFormatAccessCall NumberItem Location
Book/textUse in library JFD 16-2049Schwarzman Building - Main Reading Room 315

Details

Subject
  • Alchemy in literature
  • Symbolism in literature
  • European literature > History and criticism
Bibliography (note)
  • Includes bibliographical references and index.
Contents
Introduction, or Materia Prima -- Satirizations, or Nigredo -- Romanticizations, or Cauda Pavonis -- Mid-century adaptations, or Albedo -- Poeticizations, or Fermentatio -- Spiritualizations, or Rubedo -- Popularizations, or Projectio -- Conclusions, or Quinta Essentia.
Call Number
JFD 16-2049
ISBN
  • 9780198746836
  • 0198746830
LCCN
2015932249
OCLC
929607379
Author
Ziolkowski, Theodore, author.
Title
The alchemist in literature : from Dante to the present / Theodore Ziolkowski.
Publisher
Oxford : Oxford University Press, 2015.
Copyright Date
©2015
Edition
First edition.
Description
x, 237 pages : illustrations ; 22 cm
Type of Content
text
Type of Medium
unmediated
Type of Carrier
volume
Bibliography
Includes bibliographical references and index.
Summary
Unlike most other studies of alchemy and literature, which focus on alchemical imagery in poetry of specific periods or writers, this book traces the figure of the alchemist in Western literature from its first appearance in the Eighth Circle of Dante's 'Inferno' down to the present. From the beginning alchemy has had two aspects: exoteric or operative (the transmutation of baser metals into gold) and esoteric or speculative (the spiritual transformation of the alchemist himself). From Dante to Ben Jonson, during the centuries when the belief in exoteric alchemy was still strong and exploited by many charlatans to deceive the gullible, writers in major works of many literatures treated alchemists with ridicule in an effort to expose their tricks. From the Renaissance to the Enlightenment, as that belief weakened, the figure of the alchemist disappeared, even though Protestant poets in England and Germany were still fond of alchemical images. But when eighteenth-century science almost wholly undermined alchemy, the figure of the alchemist began to emerge again in literature-now as a humanitarian hero or as a spirit striving for sublimation.
Research Call Number
JFD 16-2049
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