Research Catalog

Narrative and identity in the ancient Greek novel : returning romance

Title
Narrative and identity in the ancient Greek novel : returning romance / by Tim Whitmarsh.
Author
Whitmarsh, Tim
Publication
Cambridge, UK ; New York : Cambridge University Press, 2011.

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StatusFormatAccessCall NumberItem Location
Book/TextUse in library JFE 12-2718Schwarzman Building - Main Reading Room 315

Details

Series Statement
Greek culture in the Roman world
Uniform Title
Greek culture in the Roman world.
Subject
  • Greek fiction > History and criticism
  • Narration (Rhetoric) > History > To 1500
Bibliography (note)
  • Includes bibliographical references (p. 265-294) and index.
Contents
Introduction -- Part I. Returning Romance; 1. First romances: Chariton and Xenophon; 2. Transforming romance: Achilles Tatius and Longus; 3. Hellenism at the edge: Heliodorus -- Part II. Narrative and Identity: 4. Pothos; 5. Telos; 6. Limen -- Conclusion -- Appendix: the extant romances and the larger fragments.
Call Number
JFE 12-2718
ISBN
  • 9780521823913 (hardback)
  • 0521823919 (hardback)
LCCN
2010052774
OCLC
YBP 2010052774
Author
Whitmarsh, Tim.
Title
Narrative and identity in the ancient Greek novel : returning romance / by Tim Whitmarsh.
Imprint
Cambridge, UK ; New York : Cambridge University Press, 2011.
Description
xii, 299 p. ; 24 cm.
Series
Greek culture in the Roman world
Greek culture in the Roman world.
Bibliography
Includes bibliographical references (p. 265-294) and index.
Summary
"The Greek romance was for the Roman period what epic was for the Archaic period or drama for the Classical: the central literary vehicle for articulating ideas about the relationship between self and community. This book offers a fresh reading of the romance both as a distinctive narrative form (using a range of narrative theories) and as a paradigmatic expression of identity (social, sexual and cultural). At the same time it emphasises the elasticity of romance narrative and its ability to accommodate both conservative and transformative models of identity. This elasticity manifests itself partly in the variation in practice between different romancers, some of whom are traditionally Hellenocentric while others are more challenging. Ultimately, however, it is argued that it reflects a tension in all romance narrative, which characteristically balances centrifugal against centripetal dynamics. This book will interest classicists, historians of the novel and students of narrative theory"-- Provided by publisher.
Research Call Number
JFE 12-2718
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