Research Catalog

Interview with Doug Varone

Title
Interview with Doug Varone [videorecording] : / interviewer, Suzanne Carbonneau.
Publication
c2009.

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3 Items

StatusVol/DateFormatAccessCall NumberItem Location
Moving imageSupervised use *MGZMT 3-5051Performing Arts Research Collections - Dance
disc 2Moving imageUse in library *MGZIDVD 5-5051 disc 2Performing Arts Research Collections - Dance
disc 1Moving imageUse in library *MGZIDVD 5-5051 disc 1Performing Arts Research Collections - Dance

Details

Additional Authors
  • Varone, Doug.
  • Carbonneau, Suzanne.
  • Sapione, James.
  • New York Public Library. Dance Division.
  • Doris Duke Charitable Foundation.
Description
2 videodiscs (NTSC) (97 min.) : sd., col.; 4 3/4 in. +
Summary
Doug Varone speaks with Suzanne Carbonneau about growing up on Long Island; the Plainview Conservatory of Dance; studying tap at an early age; having a movement-oriented family; his parents influencing "Let's dance"; getting involved in the contemporary dance world in the early 1970s; getting a scholarship to the New Dance Group; balancing the musical theatre and modern dance worlds; his educational experiences; moving to New York City and joining the Limon Dance Company; Jose Limon's choreography in comparison to Lar Lubovitch's choreography; presenting evenings at P.S. 122; beginning the choreography process with music; deciding to leave New York City and moving to San Francisco; returning to New York; his choreographic process; dance icons Gene Kelly and Fred Astaire; his love of MGM musicals; his piece, "Rise"; his perspectives on movement; what it is like to hear interpretations of his work that have nothing to do with his original aim; his Parallel Lives workshops; "Possession" in 1994, based upon the A.S. Byatt novel; getting involved in opera; working on "Transatlantic"; the relationship between budget and use of imagination; how opera allows for him to reinvent himself as a choreographer; how he looks for dancers who are real people; dance as an extension of life perceptions; how music can change the way an audience interprets a dance; his pieces, "Home", "On the field of destiny", "Aperture", "Bel canto", "Sleeping with giants", "Neither", "Polonaise 44", "Bottomland", "Bottomland part II", "Castles 2004", "Orpheus and Euridice" and "Boats leaving"; the importance of constantly reinvestigating his own creativity.
Subjects
Genre/Form
  • Dance.
  • Video.
  • Interviews.
Access (note)
  • Transcripts may not be photographed or reproduced without permission.
Credits (note)
  • Director of photography and editor, James Sapione.
Event (note)
  • This interview was videotaped at the oral history studio of the New York Public Library for the Performing Arts in New York City on April 16, 2009.
Funding (note)
  • Recording made possible by a grant from the Doris Duke Charitable Foundation.
System Details (note)
  • DVDs, transferred from MiniDV cassettes.
Call Number
*MGZIDVD 5-5051
OCLC
373873957
Title
Interview with Doug Varone [videorecording] : / interviewer, Suzanne Carbonneau.
Imprint
c2009.
System Details
DVDs, transferred from MiniDV cassettes.
Event
This interview was videotaped at the oral history studio of the New York Public Library for the Performing Arts in New York City on April 16, 2009.
Credits
Director of photography and editor, James Sapione.
Performer
Interviewee, Doug Varone.
Funding
Recording made possible by a grant from the Doris Duke Charitable Foundation.
Restricted Access
Transcripts may not be photographed or reproduced without permission.
Added Author
Varone, Doug. Interviewee
Carbonneau, Suzanne. Interviewer
Sapione, James. Videographer
Sapione, James. Editor
New York Public Library. Dance Division.
Doris Duke Charitable Foundation.
Research Call Number
*MGZMT 3-5051
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