Research Catalog
[Javanese dance in Yogyakarta]
- Title
- [Javanese dance in Yogyakarta] [videorecording].
- Publication
- 1990.
Items in the Library & Off-site
Filter by
2 Items
| Status | Vol/Date | Format | Access | Call Number | Item Location |
|---|---|---|---|---|---|
Available - Can be used on site. Please visit New York Public Library - Performing Arts Research Collections to submit a request in person. | disc 1 | DVD | Use in library | *MGZIDVD 5-4330 | Performing Arts Research Collections - Dance |
Available - Can be used on site. Please visit New York Public Library - Performing Arts Research Collections to submit a request in person. | disc 2 | DVD | Use in library | *MGZIDVD 5-4330 | Performing Arts Research Collections - Dance |
Details
- Description
- 2 videodiscs (NTSC) (124 min.) : sd., col.; 4 3/4 in.
- Series Statement
- Deena Burton Collection
- Subject
- Genre/Form
- Dance.
- Video.
- Note
- Title supplied by cataloger.
- Event (note)
- Recorded at Pujokusuman, Yogyakarta, Java, and another location. First three segments recorded on June 14, 1990.
- Funding (note)
- Funding for the preservation and cataloging of the Deena Burton Collection was provided in part by the Friends of the Jerome Robbins Dance Division.
- System Details (note)
- DVD.
- Source (note)
- Skip La Plante.
- Biography (note)
- Deena Burton, 1948-2005, was an American dancer, choreographer, and scholar of Indonesian dance. During her first trip to Indonesia in 1976-1980, she studied a variety of Indonesian dance styles. After returning to New York City, she obtained a master's degree in arts administration from Columbia University in 1982. Working with several dance, music, and theater groups, she staged both original and Indonesian choreographies, and founded her own company, Bali-Java Dance Theater. She frequently collaborated with composer Skip La Plante, whom she later married. She was among the founders of the New York Indonesian Consulate Gamelan ensemble, later called Gamelan Kusuma Laras. She was a major force behind the not-for-profit organization Arts Indonesia. At the New York Public Library, she edited the Tassilo Adam films, an invaluable collection shot in Indonesia in the 1920s, and received a Fulbright Scholarship to take the edited films to Indonesia in 1989-1990. She received a Ph.D. in performance studies from New York University in 1997, writing her dissertation on Claire Holt. For a fuller biography, see: http://www.gamelan.org/deenaburton/deenabio.html.
- Contents
- Disc 1: Rengga mataya (ca. 23 min.) / danced by Shu Jian and others -- Golek lambang sari (ca. 15 min.) / danced by Shu Jian and others -- Sudarawerti-Sirtupilaeli (ca. 24 min.) / danced by Shu Jian and others -- Klana topeng, beginning only (ca. 1 min.) -- Disc 2: Klana topeng (ca. 11 min.) / recorded in full -- Srikandi-Larasati (ca. 20 min.) -- Rengganis-Widaninggar (ca. 15 min.) -- Unidentified dance, possibly a solo (ca. 15 min.).
- Call Number
- *MGZIDVD 5-4330
- OCLC
- 275198391
- Title
- [Javanese dance in Yogyakarta] [videorecording].
- Imprint
- 1990.
- Series
- Deena Burton Collection
- System Details
- DVD.
- Event
- Recorded at Pujokusuman, Yogyakarta, Java, and another location. First three segments recorded on June 14, 1990.
- Summary
- Javanese court dances, some danced in class or rehearsal in practice clothes. The female dancer Shu Jian is the focus of the first three dances, performed in costume at a rehearsal or demonstration at Pujokusuman, site of a dance academy headed by Rama Sasminta Mardawa, with whom Deena Burton studied in 1989-1990. Golek lambang sari is the longest in the Yogyanese golek repertory, named after its musical composition, Lambang sari. Sudarawerti-Sirtupilaeli is a combat dance between two women warriors, rivals for the hand of the hero Menak. The location changes in the fourth segment, which depicts an evening performance of Klana topeng, a mask dance performed by a male dancer in the "gagah" or strong style. This dance depicts Klana or Klono, a character in stories of the Javanese hero Panji. Described as a king from foreign lands, Klana is known for his violent lack of self-control. The remaining dances were recorded in Pujokusuman. Srikandi-Larasati is a combat dance between two women warriors. In Rengganis-Widaninggar, the antagonists are the Chinese princess Widaninggar and Rengganis, a Javanese woman. The final dance, possibly a dance solo, is performed by a group of children and adults in practice clothes, dancing in unison. Roan, the infant son of Deena Burton and Skip La Plante, is seen briefly on Disc 2.
- Funding
- Funding for the preservation and cataloging of the Deena Burton Collection was provided in part by the Friends of the Jerome Robbins Dance Division.
- Biography
- Deena Burton, 1948-2005, was an American dancer, choreographer, and scholar of Indonesian dance. During her first trip to Indonesia in 1976-1980, she studied a variety of Indonesian dance styles. After returning to New York City, she obtained a master's degree in arts administration from Columbia University in 1982. Working with several dance, music, and theater groups, she staged both original and Indonesian choreographies, and founded her own company, Bali-Java Dance Theater. She frequently collaborated with composer Skip La Plante, whom she later married. She was among the founders of the New York Indonesian Consulate Gamelan ensemble, later called Gamelan Kusuma Laras. She was a major force behind the not-for-profit organization Arts Indonesia. At the New York Public Library, she edited the Tassilo Adam films, an invaluable collection shot in Indonesia in the 1920s, and received a Fulbright Scholarship to take the edited films to Indonesia in 1989-1990. She received a Ph.D. in performance studies from New York University in 1997, writing her dissertation on Claire Holt. For a fuller biography, see: http://www.gamelan.org/deenaburton/deenabio.html.
- Source
- Gift; Skip La Plante.
- Local Subject
- Golek (Dance)Klono (Dance)Tōpéng.Mask dances.Combat dances.
- Research Call Number
- *MGZIDVD 5-4330