Research Catalog

Interview with Bill T. Jones and Arnie Zane

Title
Interview with Bill T. Jones and Arnie Zane [sound recording]
Author
Jones, Bill T.
Publication
1982.

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2 Items

StatusVol/DateFormatAccessCall NumberItem Location
disc 1AudioUse in library *MGZTL 4-1562 disc 1Performing Arts Research Collections - Dance
disc 2AudioUse in library *MGZTL 4-1562 disc 2Performing Arts Research Collections - Dance

Details

Additional Authors
  • Zane, Arnie, 1948-1988.
  • Sears, David, 1948-1992.
Description
2 sound discs (ca. 94 min.) : digital; 4 3/4 in.
Summary
  • Disc 1, 12/8/82 (ca. 63 min.). Jones and Zane speak about their work-in-progress, Party /remote progress [ultimately entitled Intuitive momentum?]; the set design; the composer Max Roach's collaboration; the work's conceptual and structural framework; significance of the work's title; an earlier work entitled Remote progress; whether there is an avante garde in the contemporary dance world; views on and use of contact improvisation; their parodic use of the ballet vocabulary [short gap]; more on collaborating with Roach; the Dance Umbrella dance festival in the U.K; more on Roach, including his music and his thoughts on Jones' and Zane's work; more on the structure of the work-in-progress; their work Ah! Break it!; more on the work-in-progress, including the theme of cooperation; influence of Robert Wilson's work; Sheryl Sutton; Jones' admiration for modernism and modernists such as Lucinda Childs; autobiographical component of Everybodyworks!; Jones compares Zane's movements to his own [ends abruptly].
  • Disc 2, 12/8/82 and 12/9/82 (ca. 31 min.). [Begins abruptly.] Jones and Zane speak about their works Blauvelt mountain and Valley cottage [parts 2 and 3 of an otherwise unidentified trilogy; interview ends and resumes with Zane by telephone on 12/9/82]; Zane speaks about his use of Roach's music; his use of movements from karate; professional work outside of his work with Jones, especially his photography; his collaborations with Johanna Boyce; his and Jones's athletic background; his and Jones's intent to create their own vocabulary; influence on him of Daniel Nagrin and other avant-gardists.
Donor/Sponsor
  • Oral History Archive.
  • Gift of David Sears.
  • National Endowment for the Arts, 2001-2002.
Subjects
Note
  • Interview with Bill T. Jones and Arnie Zane conducted by David Sears on Dec. 8 and 9, 1982. The recording conducted on Dec. 8 was at a restaurant, probably in New York City, and contains extraneous noise. The recording made on Dec. 9 was solely with Zane and conducted by telephone.
Funding (note)
  • Preservation was made possible in part with funds from the National Endowment for the Arts, 2001-2002.
Call Number
*MGZTL 4-1562
OCLC
NYPY03-R61
Author
Jones, Bill T. Interviewee
Title
Interview with Bill T. Jones and Arnie Zane [sound recording]
Imprint
1982.
Funding
Preservation was made possible in part with funds from the National Endowment for the Arts, 2001-2002.
Local Note
Arch. orig.: *MGZTCO 3-1562 nos. 1-2
Dubbing master: *MGZTD 4-1562 nos. 1-2
Local Subject
Audiotapes -- Jones, B.
Audiotapes -- Zane, A.
Added Author
Zane, Arnie, 1948-1988. Interviewee
Sears, David, 1948-1992. Interviewer
Research Call Number
*MGZTL 4-1562
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